It’s one thing to walk into an air-conditioned studio and say that you would never do something. It’s quite another to never take desperate measures when you and your family’s lives are on the line. That ethical thorniness is what initially drew Colman Domingo to “The Madness,” Netflix’s latest conspiracy thriller from playwright Stephen Belber.
“Especially after the past few weeks, I think we’re all trying to lick our wounds and try to figure out who are we as a country? What do we believe in? Where’s our information coming from? How are we distilling it down?” Domingo told TheWrap.